Sunday, September 26, 2010

A Review Of The Hit Film For A Few Dollars More Starring Clint Eastwood

By Lori Harmon

Leone's Dollars Trilogy is without a doubt one of the all time classic series when it comes to all out action, suspense and, well, coolness. The film in the series that is considered a "Great Film" would have to be The Good the Bad and the Ugly, but the absolute coolest of the series is, without a doubt, For a Few Dollars More. Maybe not the best, but certainly the most fun of the entire trilogy, and definitely one to put on your queue the next time you sign into your movie download service.

The movie is really defined by all the little cool moments. While The Good the Bad and the Ugly was really defined by Eli Wallach's incredible performance as the complex, dirty and amoral character of Tuco, and Fistful of Dollars was the one that really started the whole genre off and defined its style, For a Few Dollars More is the one with all the coolest stuff, like Lee Van Cleef browsing through his selection of dozens of guns whenever he needs to shoot someone, or Clint Eastwood beating a guy up with just one hand.

He uses a musical pocket watch every time he kills one of his victims. When the music stops, he draws and fires. The story surrounding this watch is interesting, too, forming the heart of the subplot involving Lee Van Cleef.

Lee Van Cleef plays Colonel Mortimer, who was once a Civil War Hero and has since become a bounty hunter. He plays a sort of a paternal role to Clint Eastwood's Man With No Name, teaching him a few things about the craft that he doesn't really know quite yet, while pursuing a somewhat different objective. While The Man With No Name just wants to make a few bucks, Mortimer is hoping to get revenge.

The two have one of the all time great man-movie bonding scenes, shooting each other's hats off and upping the stakes with each shot in order to impress and intimidate the other. They wind up forming a partnership that begins as uneasy and quickly becomes almost affectionate. A far cry from the loveless working relationship Eastwood shared with Eli Wallach in The Good the Bad and the Ugly.

The music really makes the film, primarily with some scenes revolving around the pocket watch. The simple, twinkly melody it plays is played again in an orchestrated, layered arrangement for the finale, where we have a duel not just with matching pistols, but with matching pocket watches. The tension in this scene is almost tangible, physical in nature.

Sergio Leone has made some of the greatest contributions to film, and his career was cut sadly short just before Stalingrad, the WWII film which might have been his Magnum Opus.

The one thing missing is perhaps Eli Wallach. There aren't really any characters in the film with the depth and complex humanity of Tuco in The Good the Bad and the Ugly, but the film is certainly the most fun film of the trilogy.

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