Seinfeld gets a lot of attention, as it well should, as having been one of the most innovative sitcoms of the nineties. However, The Drew Carey Show really made just as many important innovations in the television show format as Seinfeld, even if people mainly remember it as one of those shows you watch when there was nothing else on. Put it on your list next time you visit your movie download service and see what the show was really all about.
The show could have been just one more formulaic sitcom to throw on the pile. Carey could have played a football dad with a football widow wife, two kids, and a wacky neighbor, but instead, he chose to make the film about a single guy, overweight, with a dead end job and who is just unsatisfied with where his life is at this point.
Like Seinfeld, the show abandoned the idea of formulaic plots to take things in its own direction, focusing on a man who is always on the verge of a mid-life crisis and who experiences real existential dread at his situation in life, what it all means and whether or not he'd be happier if he'd just leap off a bridge and end it all already.
Like Seinfeld, the show never really delved into the same formulaic plots about Superbowl parties and so on, and really went in a whole new direction creating its own, new concepts for great TV stories. It's about the existential dread, the fear you feel when you're anywhere between thirty and fifty and wondering why your life didn't shape up the way you wanted it to. It's really interesting, and a little deeper than the usual Football Widow jokes you see in most sitcoms.
By the final season, Carey was making somewhere around a million bones an episode, but... The ratings started to slip. Drew Carey had a strong and loyal following, but it just wasn't enough to keep the show on the air any longer. Sadly, the show is not syndicated anywhere in the US right now, nor have they ever released anything beyond the first season on DVD, so watching online is probably the only way to enjoy it anymore.
The show was really refreshing in the way that it did not focus on the same tired issues as every other show out there at the time. It wasn't the same old "Uh oh it's football season" jokes, it wasn't the son borrowing the car without asking, it was something a lot more interesting and less predictable, and this was really the rejuvenation the sitcom format needed, alongside Seinfeld, after decades of the same old stuff day in day out.
The show also feels refreshing in that it acknowledges that mom, dad and the kids are not, in fact, the only form a family can take, nor are mom, dad and the kids the only people in the US who matter. The show is, again, focused on single people, and the result is a show that really validates you no matter who you are in life and what you've accomplished so far.
And of course, it's funny. Lewis and Oswald may well be the second and third funniest comic relief characters of the nineties, after Cosmo Kramer, of course. It's always fun when a show that's already a comedy features comic relief characters. Fourth place, of course, goes to Zoidberg, of Futurama.
The show could have been just one more formulaic sitcom to throw on the pile. Carey could have played a football dad with a football widow wife, two kids, and a wacky neighbor, but instead, he chose to make the film about a single guy, overweight, with a dead end job and who is just unsatisfied with where his life is at this point.
Like Seinfeld, the show abandoned the idea of formulaic plots to take things in its own direction, focusing on a man who is always on the verge of a mid-life crisis and who experiences real existential dread at his situation in life, what it all means and whether or not he'd be happier if he'd just leap off a bridge and end it all already.
Like Seinfeld, the show never really delved into the same formulaic plots about Superbowl parties and so on, and really went in a whole new direction creating its own, new concepts for great TV stories. It's about the existential dread, the fear you feel when you're anywhere between thirty and fifty and wondering why your life didn't shape up the way you wanted it to. It's really interesting, and a little deeper than the usual Football Widow jokes you see in most sitcoms.
By the final season, Carey was making somewhere around a million bones an episode, but... The ratings started to slip. Drew Carey had a strong and loyal following, but it just wasn't enough to keep the show on the air any longer. Sadly, the show is not syndicated anywhere in the US right now, nor have they ever released anything beyond the first season on DVD, so watching online is probably the only way to enjoy it anymore.
The show was really refreshing in the way that it did not focus on the same tired issues as every other show out there at the time. It wasn't the same old "Uh oh it's football season" jokes, it wasn't the son borrowing the car without asking, it was something a lot more interesting and less predictable, and this was really the rejuvenation the sitcom format needed, alongside Seinfeld, after decades of the same old stuff day in day out.
The show also feels refreshing in that it acknowledges that mom, dad and the kids are not, in fact, the only form a family can take, nor are mom, dad and the kids the only people in the US who matter. The show is, again, focused on single people, and the result is a show that really validates you no matter who you are in life and what you've accomplished so far.
And of course, it's funny. Lewis and Oswald may well be the second and third funniest comic relief characters of the nineties, after Cosmo Kramer, of course. It's always fun when a show that's already a comedy features comic relief characters. Fourth place, of course, goes to Zoidberg, of Futurama.
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